Open Fashion T-Shirt Design for The Museum of Ventura County’s Day of the Dead Celebration



For the past few months, I’ve been working closely with the Museum of Ventura County to create a design for their Dia de Los Muertos event.

Museum Of Ventura County Dia De Los Muertos T-Shirt By Pete Ippel
In this wearable art, I have taken the traditional imagery of the calaca (Mexican skeleton) and given it a contemporary flavor. The interactive garment allows the wearer to take their celebration of El Dia De Los Muertos in a new direction.

Once the shirt has served it’s purpose as clothing, the wearer is encouraged to cut out the printed image and create a decoration for their own altar by simply attaching the arms and legs to the torso.

My design is intentionally open, so that the new collaborator can add their own decorations, flowers, or write directly on the printed cloth. By working together, we both realize our creative vision, celebrating the spirit of our ancestors and loved ones. Truly a move toward Open Fashion.

The Seven Things You Must Know Before Purchasing Contemporary Art



The Absence by Pete Ippel

The Absence by Pete Ippel

When you learn how to best answer these questions, you are ready to buy some art. Get educated, enjoy life, support artists.

  • What am I looking at?
  • What is my budget?
  • Can I make it myself?
  • Why do I like it?
  • Is it an investment?
  • Can I store it?
  • Will it degrade?

Contact Pete Ippel to get more information on purchasing contemporary art. Find out what else is going in in the Pete Ippel Studio, check out the event calendar.

Pete Ippel Attains One Million Dollar Valuation and Files Registration Statement with the SEC for an Initial Portfolio Offering



VENTURA, Calif. – April 01, 2010 -After numerous talks with financial advisers, Pete Ippel has opted for an Initial Portfolio Offering.

Ippel announced today that he has filed a registration statement with the Securities and Exchange Commission for a proposed initial public offering of his Class A common art. A portion of the art will be issued and sold by Ippel, and a portion will be sold by certain stockholders in Ippel.

A registration statement relating to these securities has been filed with the Securities and Exchange Commission but has not yet become effective. These securities may not be sold nor may offers to buy be accepted prior to the time the registration statement becomes effective. This release shall not constitute an offer to sell or the solicitation of an offer to buy nor shall there be any sale of these securities in any State in which such offer, solicitation or sale would be unlawful prior to registration or qualification under the securities laws of any such State.

Pete Ippel Million Dollar IPO

Pete Ippel Million Dollar IPO

Free Money, Sticky Fingers



Earlier this month I participated in SOMArts Community Center’s show “MOMENTS (Bringing Back the Now)”. At the opening, Justin Hoover, the newly hired director of the gallery space, re-created the 100 Performances for the Hole that he formerly curated out of his Garage San Francisco’s Pacific Heights Neighborhood.

For 100 Performances for the Hole Take-Two, the dimensions of the hole were expanded, and moved from an automotive trench to a sand casting pit.

I issued four instructions to the group:

  • The hole is defined as the cut in the cement.
  • You may not get in the hole.
  • Any bill that lands outside of the hole must be kicked into the hole.
  • Any bills that you snatch with your sticky hand are yours, any bills left in the hole after the two minutes are mine.

Getting ready for "Free Money, Sticky Fingers" Pete Ippel, 03/06/10
“Free Money, Stick Fingers” involves the art market, memory of childhood games, issues of control, gift giving, and philanthropic aims.

A Day in San Francisco from Rossita Dove on Vimeo.

In addition, there is a cameo appearance of “Free Money, Sticky Fingers” toward the end of the short video “A Day in San Francisco” by Rossita Dove.

Check out the Photos and the press release (below) for more information about the exhibition.

100 Performances for the Hole – Take Two is the opening event (#1 of 3) of a month long exhibition called: MOMENTS (Bringing Back the Now). This show features a series of live art events that transform the gallery into a contemporary art laboratory exploring the intersection between visual mediums, performance art, and time-based sculpture.

Conceived of by SOMArts Curator and Gallery Director Justin Hoover, this exhibition examines the state of contemporary live art in the Bay Are by inviting the collaboration and participation of over 100 performance artists working in a variety of styles and methods. MOMENTS (Bringing Back The Now) is structured around three events examining performance art today: a series of 100 two-minute, site-specific performances performed one after another, a ballet with heavy machinery that was inspired by a previous performance choreographed by youth in a housing complex, and a series of time-based and mobile/ephemeral sculptures.

According to curator Justin Hoover “the lived moment is often greatly under-appreciated, in life and in the arts. Largely, in the mind of the public, fine art is relegated to objects and environments, and rarely is the emotionality and the nuance of a lived moment evidenced as an artwork. In the contemporary moment, art has long surpassed the realm of objecthood and some of the most innovative new forms reside i experience. By highlighting local performance artists and performative installations, SOMArts gives Bay Area artists and audiences a chance to exchange ideas and build attention around a developing form that rarely finds its way into a gallery. MOMENTS (Bring Back the Now) brings immediacy back to the experience of contemporary art viewership.”

Additionally, this exhibition will work in conjunction with the Bay Area Video Coalition (BAVC) to upload this live program directly to cable television.

100 Performances for the Hole – Take Two breathes fresh life into a formerly disused part of the SOMArts Main Gallery, namely what remains of the mechanics pit from the building’s former life as the Union Machine Company. Through a simple hole and an open call for ephemeral performance artwork, 100 Performances highlighting the contemporary timescape of today and invigorates a wide swath of the performance art community, one that is vibrant, innovative, playful, and elusive. This tour-de-force of the ephemeral is juried by Kevin B. Chen, Peter Foucault, Justin Hoover, Jackie Im, Lex Leifheit, and Lucy Kalyani Lin.