Breaking news, one night only: “How To Build A Rocket Pack In Five Minutes Or Fewer” New art by Pete Ippel to be presented during John White’s curated 5x5x5 performance evening. The event will be hosted by Sylvia White Gallery in Ventura, California. The show begins promptly at 8pm on Friday, March 2nd 2012. Come on by for a unique contemporary art experience.
Enjoy the hot cut from the floor of the Blue Room, 2002
Cynical and DJZN Live – Fantastic Cutting and scratching with no slide mixer on my side…Yea I’m the platinum blonde…it’s a down-tempo jam with a ton of layers and a lot of back cueing with a knob, turntables run through analog guitar pedals…enjoy. For more sonic delights check out the audio section of Hypermodern.net
Today I spent the afternoon in the dance school where I grew up with creative movement. My father still leads his class, as he did back when I was a boy. This is the second time in the last twelve months I have had the opportunity to watch and participate in the creative process with the person who is the greatest male artistic influence in my life.
He learns while teaching, being an expert, and a child…all at the same time.
Paying homage to one of Chris Burden‘s most notorious pieces.
Those that support conceptual art (performance art, video art, social sculpture, happenings etc.) art are mocked by those that do not understand it…and the myth of disbelief, shock, and awe is perpetuated by popular media.
Mimicry is common BECAUSE there is a long history of conceptual art, even when it’s lost.
Even the name Praxis is a lifted reference.
The history of conceptual art that James Franco tries to explain (the fellow on the Jimmy Kimmel Show) has strong roots in the Bay Area, as does video art. That’s why I chose to study for my MFA in New Genres at the San Francisco Art Institute. The Bay Area boasts artists: Tony Labat, Linda Montano, Doug Hall (AntFarm), Sharon Grace, Paul Kos, David Ireland, Karen Finley, and many, many more.
The Museum of Conceptual Art was created by one of my mentors, Tom Marioni. Tom is a big fan of Marcel Duchamp and the Readymade. Hypermodern.net represents 12 years of conceptual art education and I’m constantly asked, what for?
Simply, as Cathy Malchiodi writes, the massively important restoring power of imagination.
The phrases “art heals” and “art saves” have become ubiquitous and will continue to circulate; like many catch-phrases, they are just too cool to go away. Like any popular slogans, they blur real meaning; in this case the actual purpose of art is often forgotten.
Cathy summarizes further synthesizes and interprets Ellen Dissanayake’s book What is Art For?
1) Makes life special.
2) Engages the senses.
3) Involves rituals.
4) Enhances community.
When was the last time you went to an art show and got an experience, a prize, a few bucks, and a great story and thought differently about the present moment you just experienced. Free Memory. Free Money. Free Ideas…and a 2 minute smile free from economic stress. Or was it referencing the financial collapse, throwing money in a hole, and making peons work for it doing crazy tasks that don’t mean anything by diverting their own lust for financial gain? Why did they follow the rules of the over arching system? The title of the piece of mine is “Free Money, Sticky Fingers” made at SomArts. Check out their open call for more art in the hole.
Sound like art?
Sound like MTV’s Jackass?
Sound like conceptual art?
Is everything art?
Is everyone an artist?
Thank you R. Mutt
When critiquing or defending artwork remember three core concepts: intent (what did the artist want to express), context (where, when, and who are they showing it to), and liability (will it put the artist or anyone else in danger, will it cost money from the artist or public, does it exclude anyone, does the artist take responsibility for the piece).
Near the region Udine lived a beautiful deer, sacred to Artemis…
Maya’s hair was red, horns were wooden with gold, and her hoofs of bronze (or silver, according to others). She fled, traveling the world without stopping, delighting those who pursued her. Pete considered dragging her into the beaches and mountains of California, from which She would never return.
Pete could not possibly hurt Maya the deer because she is sacred, the hero is merely chasing The Hind of Artemis. The frantic race lasted over a year, and Pete was defeated in every attempt to reach Maya. The only choice was slightly stun the nimble deer with a dart, and carry her on his shoulders to bring her home…
He shot for the sky…