Paying homage to one of Chris Burden‘s most notorious pieces.
Those that support conceptual art (performance art, video art, social sculpture, happenings etc.) art are mocked by those that do not understand it…and the myth of disbelief, shock, and awe is perpetuated by popular media.
Mimicry is common BECAUSE there is a long history of conceptual art, even when it’s lost.
Even the name Praxis is a lifted reference.
The history of conceptual art that James Franco tries to explain (the fellow on the Jimmy Kimmel Show) has strong roots in the Bay Area, as does video art. That’s why I chose to study for my MFA in New Genres at the San Francisco Art Institute. The Bay Area boasts artists: Tony Labat, Linda Montano, Doug Hall (AntFarm), Sharon Grace, Paul Kos, David Ireland, Karen Finley, and many, many more.
The Museum of Conceptual Art was created by one of my mentors, Tom Marioni. Tom is a big fan of Marcel Duchamp and the Readymade. Hypermodern.net represents 12 years of conceptual art education and I’m constantly asked, what for?
Simply, as Cathy Malchiodi writes, the massively important restoring power of imagination.
The phrases “art heals” and “art saves” have become ubiquitous and will continue to circulate; like many catch-phrases, they are just too cool to go away. Like any popular slogans, they blur real meaning; in this case the actual purpose of art is often forgotten.
Cathy summarizes further synthesizes and interprets Ellen Dissanayake’s book What is Art For?
1) Makes life special.
2) Engages the senses.
3) Involves rituals.
4) Enhances community.
When was the last time you went to an art show and got an experience, a prize, a few bucks, and a great story and thought differently about the present moment you just experienced. Free Memory. Free Money. Free Ideas…and a 2 minute smile free from economic stress. Or was it referencing the financial collapse, throwing money in a hole, and making peons work for it doing crazy tasks that don’t mean anything by diverting their own lust for financial gain? Why did they follow the rules of the over arching system? The title of the piece of mine is “Free Money, Sticky Fingers” made at SomArts. Check out their open call for more art in the hole.
Sound like art?
Sound like MTV’s Jackass?
Sound like conceptual art?
Is everything art?
Is everyone an artist?
Thank you R. Mutt
When critiquing or defending artwork remember three core concepts: intent (what did the artist want to express), context (where, when, and who are they showing it to), and liability (will it put the artist or anyone else in danger, will it cost money from the artist or public, does it exclude anyone, does the artist take responsibility for the piece).
Near the region Udine lived a beautiful deer, sacred to Artemis…
Maya’s hair was red, horns were wooden with gold, and her hoofs of bronze (or silver, according to others). She fled, traveling the world without stopping, delighting those who pursued her. Pete considered dragging her into the beaches and mountains of California, from which She would never return.
Pete could not possibly hurt Maya the deer because she is sacred, the hero is merely chasing The Hind of Artemis. The frantic race lasted over a year, and Pete was defeated in every attempt to reach Maya. The only choice was slightly stun the nimble deer with a dart, and carry her on his shoulders to bring her home…
He shot for the sky…
VENTURA, CA – October 26th, 2010 – November 5th, 2010 – Pete Ippel, known for his conceptual installation pieces, has created a specialized artwork for the annual community observance of the Day of the Dead.
In Ippel’s Dia de los Muertos altar he has explored the properties of polyethylene thermoplastic made from petroleum. The annual production of this material according to a 2008 study by Piringer & Baner is approximately 80 million metric tons worldwide.
The 11 foot tall stitched work will move with air currents when the cascading waterfall of bones and spirits rustles as viewers walk through the gallery. The piece’s monumental scale contrasts with its near-weightless materials. By integrating reused plastic bags into the installation, Pete Ippel gives items headed to the landfill, or into the ocean, an afterlife.
In addition the re-purposing of discarded plastic bags raises awareness about the Great North Pacific garbage patch. – Where the volume of photo-degraded plastic particulate is grater than the number of plankton.
There’s trash heap the size of Texas, in the ocean, made of plastic.
When you leave the house, please remember to bring your own tote-bags.
Pete Ippel is an artist and record setting high jumper who employs an iterative process honed by experience in research, athletics, and art to present complex ideas in compelling ways. Mr. Ippel’s art is in numerous private collections and has been exhibited in New York, California, and internationally.