Letter of Interest for Tournesol Award



So the Headlands Center For The Arts has a new online application program called “SlideRoom” it’s super easy to use, and it works great. I really hope more organizations start to use it. I imagine it would really work well in the art school application process…it makes a slide list receipt/confirmation of upload that you can print out as well. How handy.

The one thing that I wish was that it was more intuitive to shuffle the order around. Once uploaded, the images were not easy to move, so they stayed in the same sequence as they were uploaded.

I just finished up the application for the Tournesol Award ($10,000.00 and a studio in the Marin Headlands *my favorite place to bike*) below you will find the submitted letter of interest.

Dear Tournesol Award committee:

The Headlands has been an integral aspect of my life in the Bay Area. I am an avid cyclist, and last Saturday I was riding my mountain bike on the Miwok trail north of the stables, when I encountered a rough-skinned newt sauntering across my path. I took pause to study his movements and the intricate texture of his skin. It’s experiences like these that ONLY the Headlands can offer and inspire the way I think about the world.

I have an expanded view of works on paper, and as such I have executed projects that integrate digital drawing techniques, various mounting methods, collage, and found objects. My work is simultaneously influenced by technology, while intuitively responding to the embodied experience of life.

Each work has a self-contained reality and often a forthright sense of place. Through the choice of bright colors, condensation of space, and manipulation of visual cues, I create experiences that imply phenomena and images that exude their thing-ness. That is, the unique properties of the subjects depicted are emphasized. What my artwork lacks in verisimilitude, it gains in joyful complexity and honest wonder. I have been gradually getting larger with my practice. Presently I am working on an ambitious four by eight-foot piece of paper, and I want to move even larger, yet I have run out of wall space in my bedroom.

The beauty of our earth inspires me, and I strive to acknowledge the wonders of the natural world by expounding on intuition while maintaining a clear focus on my life as an artist.

As an athlete I understand the rigors of repeated practice, and it is undeniable that creativity and discipline go hand in hand. A residency at the Headlands Center for the Arts will have a profoundly positive effect on my artistic endeavors because I will have a studio that will be a consistent environment in which to work, as well as a nourishing community of peers that is following a similar life path.

Formerly, I have worked up to four jobs at once to pay for the extensive debt I incurred during my tenure at Cornell and the San Francisco Art Institute. I have continued to create new art through all of this, and still maintain an exhibition record complete with solo shows.

Starting in June, I will be working solely for the San Francisco Ballet as their residence manager, and as such, I will be free from noon to seven daily to work in the studio. It will be the first time since graduate school that I will have a block of time dedicated to artistic creation. I aspire to spend that time working at the Headlands Center for the Arts.

My commitment to pursuing a life as an artist is unquestionable. By winning the Tournesol award I will engage in a more complete art practice. It will be my distinct honor to represent the Headlands Center for the Arts as I continue to move forward with my professional art career. Thank you for your consideration.

Yours sincerely,

Pete Ippel

Rhizome 2010 Commission Proposal “Preblog” by Pete Ippel



Preblog: Time capsule to Midwestern Teenage Life Before the World Wide Web – Blogging as a 15-Year-Old and 30-Year-Old at the Same Time

San Francisco based artist Pete Ippel travels to rural Illinois to unlock the fire-proof safe that’s been buried in the closet of his childhood home since 1997. Ippel investigates and interprets nearly three years of the pre-web, Midwestern teenage experience of the middle 90s contrasting it with his technology-laden life in Northern California. Ippel will “Preblog” his journals and images systematically posting a transcription to http://hypermodern.net/tag/preblog/ three times daily.

Project Description

Inspiration:

The Atlantic magazine has asked the question “Is Google making us stupid?” Don Tapscott in his text Grown Up Digital argues that “If you understand the Net Genration, you will understand the future”.

My personal history has a fortunate crossroads in it that is incredibly stark: life experience pre vs. post Internet access is divided and recorded.

In “Preblog” I will be simultaneously blogging as a 15-year-old boy and 30-year-old man.

The core concept of the “Preblog” is to explore the following dichotomies: childhood/adulthood, private/public, rural/urban

Transcribing and analyzing nearly three years of daily writing (30 months Dec 1995-August 1997) in one year will be a challenge. I take solace in author Jim Collins’ statement that, “Creativity and discipline go hand in hand”.

Each Preblog post will be composed of the following:

1.) A tagged and linked WordPress entry of the handwritten text
2.) A scan of the actual journal document in .pdf format
3.) Access to a downloadable .doc transcript of the journal entry
4.) Accompanying analog photos, rephotographed or scanned
5.) A contemporary response to the text by the artist
6.) A community comments section

Content will be released under the Creative Commons Attribution-Noncommercial 3.0 Unported License

Production Timeline

1.) January 4-10 Fly to Chicago, drive to Morris, Illinois. Document surroundings photographically.
2.) January 11-17 Gather analog photos, prepare for transport of documents.
3.) January 18-24 Fly to San Francisco, California. Document surroundings photographically
4.) January 25 – December 31 Actively transcribe, preblog, analyze, share, and reply to comments.

Process:

1.) Journal pages will be removed from their spiral binding
2.) The frayed edges will be cut off
3.) Supplemental inserts (playbills etc will be unfolded and unstapled)
4.) Utilizing the Fujitsu ScanSnap, both sides of the sheet will be scanned in one pass
5.) Each page will be placed in a sheet protector and clipped into a three ring binder
6.) Each journal entry will be given an accessioning number
7.) A corresponding transcript will be typed for each handwritten journal entry
8.) The text of the transcript will be posted to hypermodern.net with the downloadable .doc file and .pdf scan

The Preblog process will be successful because I have great familiarity with the tools I will be using, and I have the discipline to transcribe three entries a day. Each entry to the original journal is one hand written page which translates into approximately 150 words, so three posts a day at 35 words per minute typing speed plus formatting, analysis, and scanning will take approximately 1.5 hours per day.

Project Budget

1.) Round trip airplane tickets San Francisco to Chicago $500.00
2.) Fujitsu ScanSnap S1500M for document .pdf file creation and analog print photography digitization $500.00
3.) Artist Fees 13.30 dollars / day for 300 days. $13.30 / 3 posts a day = 4.4 dollars per post. $4000.00

Total commission $5,000.

History

After being dumped at the holiday dance when I was a sophomore in high school in 1995, I was searching for answers…I wanted to figure out why it happened and to grow from the experience. I took to writing. I updated my journal every night before bed. If I was away, I wrote on napkins or hotel paper. Ticket stubs and playbills were stuffed between pages. I wanted to document my thoughts to grow.

I recorded events in order to better understand my world, when I left for college in upstate New York, the hundreds of pages of documents were packed in a fire-proof safe in my bedroom in Morris, Illinois.

Two days before my departure for college, I received a Compaq 1535DM as a gift from my parents. I didn’t sleep for the next 36 hours because I was exploring my new Pentium 133mhz laptop and how to use it.

A few days later during Cornell University orientation week’s, “Travelers of the Electronic Highway” course, my journaling practice would be forever altered. It was the first exposure I had to the Internet.

I received a network id and an email address in August 1997. The computer replaced the hand written pages of my journal as I began to think of my emails as a flowing life record that I could index and search. My behavior changed, and I frequently scrutinized my new college friends’ status on Instant Messenger.

By 1999 I was hand coding HTML documents and posting my art to the web. I explored broadcasting live videos online through my web cam, and delved into Yahoo Personals with the thought if I was doing this and posting as my “real self” I’d find people with the same commitment to authenticity online and offline. At this point, meeting people online still was perceived as socially dubious.

In 2001 during a graduate seminar on human computer interaction I was introduced to social networking and created a profile. This was a key moment as the personal vs. public social space continued to merge as peer-use of social networking sites exploded.

In 2002 my undergraduate studies culminated in a thesis presentation that presented sexualization of technology, questioned romantic distance relationships mediated by the Internet, and explored instant creation and sharing of experiences both online and offline (Priorities).

Graduate studies in art took me to San Francisco the following August, a drastic change from the rural life in Ithaca and Morris. It was here I discovered the blog. In fall 2002 I made the switch from a standard hand coded HTML, to Blogger. I began questioning issues based on the commodification of objects (Obay), as well as the anonymous gift (Free Memory), and began quantifying social networks (Age Hotness Correlate).

In spring of 2003 I purchased a Nokia 3660 camera phone that could upload images, video, and text instantly to the web thus making mobile and “studio-less” art creation a reality. That summer I also began working as the residence manager for the San Francisco Ballet School, and started to become very aware of the way young people create and consume media.

Presently I run WordPress and have benefited greatly from the open source community. I am confident that there is much insight to be gained from looking back at both sides “being digital” and critically analyzing the texts from December 1995-August 1997.

Over the past twelve years I’ve experienced profound changes in the way I live, think, and navigate in the world as my experience has become more connected, more open, and more collaborative. I intend to combine curiosity with disciplined research. By sharing my data, it is my desire to gain a greater understanding of the longitudinal effects of Internet use.

Curriculum Vitae View long version or Download Pete Ippel’s resume

EDUCATION
SAN FRANCISCO ART INSTITUTE, San Francisco, California
M.F.A., New Genres, 2004

CORNELL UNIVERSITY, Ithaca, New York
B.F.A., Combined Media, 2002 (photography / digital art)
B.A., Psychology, 2002 (perception, minor concentration: cognitive science)

ADDITIONAL STUDIES
City College San Francisco, 2005-2007 (advanced classes in conversational Spanish, culture, and civilization)

HONORS
SAN FRANCISCO ART INSTITUTE
Student Leadership Award, 2004
Board of Trustees 2003-2004
Graduate Council 2002-2003

CORNELL UNIVERSITY
Dean’s list, spring 2001, spring 2002
Edith and Walter King Stone Memorial Prize for Promise in Art, 2001
National Dean’s List 1998-2001

TEACHING POSITIONS
UNIVERSITY OF CALIFORNIA BERKELEY, Berkeley, California
Academic Talent Development Program, summer 2008

MARIN SCHOOL OF ART AND TECHNOLOGY, Novato, California
Art instructor, Fall 2004

SAN FRANCISCO ART INSTITUTE, San Francisco, California
NASA Space Practicum Teaching Assistant, spring 2004
Video Editing Teaching Assistant, spring 2004

CORNELL UNIVERSITY, Ithaca, New York
Cornell Adult University, instructor, website design, summer 2002

SOLO EXHIBITIONS
ICTHUS GALLERY, San Francisco, California
2008, The Fantastic Solution to Global Warming and other Conundrums
2006, Metaphors Be With You
2006, Hypermodern Art Show

EXPERIMENTAL GALLERY, Cornell University, Ithaca, New York
2002, Priorities: Installation, Audition, and Digitalia

GROUP EXHIBITIONS
GARAGE BIENNALE, San Francisco, California
2008, Weather Reconnaissance
2008, 100 Performances for the Hole
2004, Party for Benevolence

PACIFIC SCHOOL OF RELIGION, Berkeley, California
2005, Art and Spirituality

ANTI – CONTEMPORARY ART FESTIVAL, Kuopio, Finland
2004, Yuk Video Screening

NEW LANGTON ARTS, San Francisco, California
2004, The ‘How To’ Intensive

FORT MASON CENTER, San Francisco, California
2004, San Francisco Art Institute MFA graduate show

PACE DIGITAL GALLERY, New York, NY, 2004
2004, e Bay–Buy or Sell or Buy

YERBA BUENA CENTER FOR THE ARTS, San Francisco, California
2004, Playshop

CELL SPACE, San Francisco, California
2003, San Francisco Art Institute Print Show,

SAN FRANCISCO BUREAU OF URBAN SECRETS, San Francisco, California
2003, Creative City

BOOM TECHNOLOGY FAIR, Cornell University, Ithaca New York
2002, Sound Thinking: computer as creative audio tool
2001, Fine Art Applications of 3D Internet

WORK EXPERIENCE
SAN FRANCISCO BALLET, San Francisco, California
Residence Manager 2003-present

UNIVERSITY HIGH SCHOOL, San Francisco, California
Coach (Basketball, Track & Field) 2005-present

HYPERMODERN.NET, San Francisco, California
Independent Contractor, 1999-present

UNIVERSITY PHOTOGRAPHY, Ithaca, New York
Darkroom Assistant, Photographer, summer 2002

SIGNAL INTERACTIVE, Chicago, Illinois
Production Artist Intern, summer 2000

MOTOROLA, INC., Arlington Heights, Illinois
Web Design Intern, summer 1999

PALEONTOLOGICAL RESEARCH INSTITUTION, Ithaca, New York
Assistant to the Director of Collections, 1997-1999

Work Samples

FREE MEMORY (2002-Present) Launch FREE MEMORY Project


The Free Memory Project from Thorsten Claus on Vimeo.

FREE MEMORY is an event created to open a dialog between what memories consists of in terms of ephemeral human thought, and that of a data driven memory model of a computer. The event is initiated by the anonymous gift of a floppy disk to passers by and concludes when the box of disks is empty. Unbeknown to the receiver, the artists memories, documented in photographic form, are present on the disk thereby transferring both ephemeral, and concrete memory.

OBAY (2002-Present) Launch OBAY Project

obay.info screen capture

Obay.info screen capture

More About Obay, the legal battle, anonymous late night phone calls, and Canadian bus stop mystery. For certain individuals Ebay has become a lifestyle, an extreme use of the service where people are a slave to their auctions, so dependent on checking up that it interferes with daily functioning. According the DSM-IV, the manual for diagnosing psychological disorders, this would be a criterion for a type of obsessive-compulsive behavior. Commodiphilia, diagnosed as assigning value to valueless objects in the off chance that it may be worth something to another disparate individual, is an artist coined term that references both the commodity, and the sexual perversion of pedophilia. Obay.info critiques the mega-consumerist culture that surrounds Ebay, and is both a visual pun and a cautionary piece that succeeds when the user questions why they are so involved with buying and selling of the most mundane possessions.

LONGITUDINAL STUDY OF THE AGE HOTNESS CORRELATE (2001-2004) Launch Age Hotness Correlate

PRIORITIES THESIS SHOW (2002) Launch site