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By taking creative action through expressive discipline, artists generate experiences where a viewer’s sensitive, aware perception illuminates the path to relief in the global economic crisis. Art will inspire a solution.

Download Selected Findings Artists and the Recession Survey 2009 sponsored by LINC Leveraging Investments in Creativity.

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Slow Food Nation is going to be a great party, go check out the garden in the front courtyard of San Francisco City Hall. What I find particularly inspiring is that the fence and the garden beds made out of hay.

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AL GORE: Green Energy by 2018 (7/17 Speech)

Yesterday Al Gore Spoke in Washington DC to issue a generational challenge to repower America. He wants to commit to producing 100 percent of our electricity from renewable energy and truly clean carbon-free sources within 10 years. Here’s the a simple example of why we have to do it, as the same issue is causing economic, national security, and environmental chaos.

We’re borrowing money from China to buy oil from the Persian Gulf to burn it in ways that destroy the planet. Every bit of that’s got to change.

But if we grab hold of that common thread and pull it hard, all of these complex problems begin to unravel and we will find that we’re holding the answer to all of them right in our hand.
The answer is to end our reliance on carbon-based fuels.

Check out we can solve it for more info on how to get the word out, and make lifestyle changes. Now the next step is to start thinking about how to make The Fantastic Solution to Global Warming actually happen.

Pete Ippel’s “The Fantastic Solution to Global Warming”
Let’s get some funding for green science!

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Over the past five years, I’ve been working very hard to make Jackson Manor very livable and professional, and I’m happy to say that with all the support, it’s been a great learning process, and ultimately a resounding success. Nearly 20 dancers have gone on to San Francisco Ballet and scores more are professional dancers throughout the world. Check out the San Francisco Chronicle article on the day-to-day life of 26 pre-professional dancers under one roof.

I am so very thankful for the support and contributions of Patricia Swanson, Kirsten Gamb, Jason Blackwell, Andrew Harvill, and especially Jim Sohm for being such a great mentor, and helping me develop as a manager through his calm and fair example.

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FOR IMMEDIATE RELEASE

“The Fantastic Solution to Global Warming and Other Conundrums” An art show by Pete Ippel
May 16-31, 2008
Opening Reception: Friday, May 16, 6-9 p.m. with DJ music and indoor-jumping photo souvenirs for guests. EDITORS: You, your reporters and photographers are welcome to cover the event.

Icthus Gallery
1769 15th Street (between Valencia and Guerrero), San Francisco, CA
Gallery hours, weekdays, 10 a.m. – 5 p.m.; weekends, by appointment
Admission, Free


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For more information, contact, Pete Ippel, artist
Phone, (415) 425-8863
E-mail, pete at hypermodern.net
Web site, http://www.hypermodern.net/archives/fsgw/
The Fantastic Solution to Global Warming
“The Fantastic Solution to Global Warming”, 40 x 60 inches (101 x 152 cm), gouache, ink, pencil, and watercolor on paper

SAN FRANCISCO, Monday, April 28, 2008 – The Fantastic Solution to Global Warming and other Conundrums is an exhibition of new artwork by San Francisco based artist and athlete Pete Ippel. In this collection of drawings, photographic prints, and videos he explores themes ranging from nuclear waste processing to the pairing of art and sport.

In Ippel’s brightly rendered, fantastical 2-D world, a box of lightning, some incandescent light bulbs, and a gigantic, biological-organic turbine are coupled with wind, tide, hydroelectric, nuclear, volcanic, solar, and geothermal power sources to sequester carbon dioxide. Under intense heat and pressure, in a star-powered fusion-cooker, diamonds are produced, thus solving the dilemmas of green house gases, vacant mines, and human rights issues associated with diamond mining.

The exhibition also highlights artifacts, photographic prints, and video informed by Ippel’s work as an athlete and a coach. After completing a successful collegiate track and field career as a high jumper in New York, Ippel made the move to San Francisco to pursue a Masters of Fine Art in the New Genres Department of the San Francisco Art institute.

It was here in the Bay Area, inspired by local artists Tony Labat and Tom Marioni, where Ippel began to craft projects that married his passion for jumping to his artistic practice.

“When I saw that Tony had devoted a year of his life to boxing, and Tom was drinking beer with friends in the name of art while making movement based drawing and prints I felt empowered,” said Ippel. “And I’ve been fortunate to spend time with both of them here in San Francisco. I really respect their work,” Ippel added.

“The Jump Series” grows out of the tradition of New Genres where actions are performed for the camera. The body of work is based on the premise that to push of one’s self off any surface and into the air by using the muscles in one’s legs and feet is a glorious and enjoyable act; essentially human flight. The modes of lift-off on display include skateboarding, high jumping, jumping off of architecture, leaping into panoramic scenes, jumping over objects, and choreographed jumps with other individuals. Ippel utilizes a tripod and a remote control or the camera’s self-timer to execute this body of performative photographs.

TSP Athletics, also on display, is a competitive vertical jumps team, social club, and acts as a collaborative vehicle to generate images of athletes in flight. It blurs boundaries between art and sport while acting as a vehicle to temper the shock of moving away from traditional competitive athletics.

“When you have something obscure like the high jump that has been your top priority for so many years, it’s foreign when it’s gone,” says Ippel. “Because I went directly to SFAI from Cornell, it was quite a challenge to no longer have the support of my team, nor be able to celebrate my athletic gifts in competition. I went through a real period of grief.” Ippel satiated his needs by creating a one-person team and traveling alone to meets a few times a year. “I made a uniform, started a website, and I kept in touch with my jumping peers. When I was at the meets after being away for so long, I started to see the beauty of the action and the camaraderie and wanted to capture it, and still keep it active in my life.”

The project has developed as an answer to what collegiate athletes do upon graduation to keep in touch, keep jumping, and make art.

Since its inception in 2004, TSP Athletics has grown to include former NCAA qualifiers and university record holders. Ippel’s plan is to produce limited-edition prints with participation by distinguished jumpers who are invited to be athletes-in-residence for TSP. In the frame of social sculpture these artists/athletes will each, contribute to the TSP Archive to add to its expanding collection of images and memorabilia.

ARTIST BIOGRAPHY
Pete Ippel was born in Oak Park, Illinois, USA and has been surrounded by the arts since birth. He moved to Morris, Illinois in 1989 and started to participate in athletics rather than dance. After high school, Pete attended Cornell University where he earned a BA in psychology and a BFA in photo / digital art making. He continued to follow his sporting dreams in the high jump, which culminated in a school record leap of 7 feet 1/2 inch in 2001. In May 2004 he attained an MFA degree in the New Genres department of the San Francisco Art Institute. Presently Pete is a practicing artist whose work is in numerous private collections. He’s also the residence manager for the San Francisco Ballet, a fitness professional, coaches basketball and track at University High School, and still high jumps from time to time.

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I got to see Richard Tuttle speak on Friday, it was quite a lecture. He started out by showing 59 slides, Title, Date, Dimensions, Collection. It would have been pretty “Punk Rock” to stop right then as a J. Hittner put it. But honestly he was speaking so slowly and abstractly I was wondering if he had any idea of what he was talking about.

Right as I was getting a little frustrated, it hit…purity. The clarity of the thought and sincerity of his words really blew me away. He was making the parallel between the differences between Ideas and Inspiration, stating that they were analogous between Feelings and Emotions. “No one is interested in your feelings,” he stated ” it’s like if you walk down the street, and say I am so upset, I forgot to sharpen my pencil. No one cares. But if you say, ‘I’ve just found the love of my life we’re getting married’ that is EMOTION.”

He continued dismissing artists with lots of good ideas and ambition without inspiration, in that they will burn out before inspiration even hits.

It was a lot to ponder. I also appreciated his comments on materials. “I was always told that America is the greatest country in the world, and that you could do anything you want. I was like “Woah, America maybe you and I can get together and make some good art.’ I spent the next few years living in a very affordable apartment, with an easy job that paid for the rent it was freedom to do what I want.”

I know that’s not an exact quote, but it’s close as I can remember.

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Pretty early night, but they have been busy days. No class today because there was no lecturer this weekend. I went to the color photo orientation session and took care of email in the morning. The problem is, I have to still do the Black and White tutorial and I can’t do that till the next Friday. I got my other books today and was disgusted at what they cost.

I met up with the first person I met here (the nurse from Ireland) and we chatted for a while about my plan of action and what I was/am planning to do. I also read today and took notes as well as wrote tizz a letter on a typewriter (in the SFAI Library). Something that I don’t think I’ve ever done.

I also went to the gallery and talked with Eirik the photo major, second year. We have talked before and I may help him paint the darkroom later this weekend. There was one piece that really struck me at the gallery Donna Rocke Pache (?) in Neon basket weaving. Also the gloves / american flag piece, very striking.

I talked with Magnolia today as well and got invited to the student union Thursdays noon to one, and on the 10th of September there will be a “town meeting” sot of thing. She recommended that I talk with Larry Thomas, he’s acting as the interim president and academic affairs vice president. I’m going to calm down this weekend, organize my thoughts and get an appointment midweek, and If I don’t get I know I am someone who will mobilize students. I did computer training and skated and met Colin, an undergrad film maker from seattle who skates. Talked to Tizz and called Betsy if she wanted to dance, but no answer. Was asked If I wanted to go to third street to get a drink but I don’t have a good way of getting there. Rides=bad idea.

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