I’m Taking The Question Marks In My Life And Bending Them Into Exclamation Points. I Am The Human Interrobang. Pete Ippel #ALLRISK



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"I'm taking the question marks in my life and bending them into exclamation points. I am the human interrobang." Pete Ippel #ALLRISK ‽


"I'm taking the question marks in my life and bending them into exclamation points. I am the human interrobang." Pete Ippel #ALLRISK

Learn more about Martin K. Speckter, innovator of punctuation.

Thank you to @rejon for Fabricatorz @pianoBrad for wonderful avatar creation video tutorial unleashing the power of Inkscape to create and share. Download inkscape. Thank you to @n8willis @christopheradam @davelab6 for revealing the awesome and useful interrobang, News Cycle, and your vast font knowledge. Also gratitude goes out to @WebChickBot and Point.B Studio for supporting and sharing ALLRISK in the Artists In The Information Age Exhibition.

SHARISM is a Mind Revolution: The more you share, the more you receive. It is a ideology which promotes the sharing culture and economy as a way of thinking.

Open Fashion T-Shirt Design for The Museum of Ventura County’s Day of the Dead Celebration



For the past few months, I’ve been working closely with the Museum of Ventura County to create a design for their Dia de Los Muertos event.

Museum Of Ventura County Dia De Los Muertos T-Shirt By Pete Ippel
In this wearable art, I have taken the traditional imagery of the calaca (Mexican skeleton) and given it a contemporary flavor. The interactive garment allows the wearer to take their celebration of El Dia De Los Muertos in a new direction.

Once the shirt has served it’s purpose as clothing, the wearer is encouraged to cut out the printed image and create a decoration for their own altar by simply attaching the arms and legs to the torso.

My design is intentionally open, so that the new collaborator can add their own decorations, flowers, or write directly on the printed cloth. By working together, we both realize our creative vision, celebrating the spirit of our ancestors and loved ones. Truly a move toward Open Fashion.

Simplicity In Design, Relaxation, And Decision Making



Jordan and Nicole vector drawing by Pete Ippel

Jordan and Nicole vector drawing by Pete Ippel

When I was in Europe in May I flew through London and got to visit with a very close friend of mine. Nicole and I met at Cornell, and we really hit it off athlete to athlete. She was studying in the hotel school and I was studying fine art. The ways in which we spent our time were very different besides our academic pursuits. She was in the pool practicing her water polo shots and defense while I was doing everything to run faster and jump higher at the track. Despite our disparate likes, both of us shared a love of sport.

While I was at school, she gave me “The Little Book of Olympic Inspiration”, what a thoughtful present it was. So many of the pages are dog-eared and offer up pearls of wisdom. A personal favorite is from Bobby Joe Borrow, a runner who struck gold in the 1956 Melbourne Games, “Whatever success I have had is due to being so perfectly relaxed that I can feel my jaw muscles wiggle.”

This resonated very much with me before I approached the bar to leap 2.15m in 2001…absolute calm and clarity led to a successful jump. This clarity wasn’t an instant type of thing that you can turn on and off. It is learned, practiced, and developed over long periods of time.

I’ve talked in the past about decision making and when to nuke ideas, I want to share a small excerpt from Daniel F. Chambliss, who is a sociology expert and also a coach.

Great accomplishments, we often assume, require heroic motivation: an intense desire to be the best, an inner strength beyond all measure, some special love of school, of family, of country. Some one of these, must, we think, drive the superlative athlete…In fact, world-class athletes get to the top level by making a thousand little decisions every morning and night.

If you make the right choice on each of these — decide to get up and go to practice, decide to work hard today, decide to volunteer to do an extra event to help your team — then others will save you ‘have’ dedication. But it is only the doing of those little things, all taken together, that makes that dedication. Great [athletes] aren’t made in the long run; they are made every day.

Jumping back to the summer of 2002, I can remember the best answer I ever heard to the question “What is an artist?” was from a 20 year old art student I was dating named Katie.

She simply replied, “Artists make decisions.”

That graceful answer has been with me for 8 years, I’ve never heard a better one…I’ve listened to many other people try to explain what an artist is, but it gets too complex and grandiose. Frequently people, including other artists, will lose their train of thought and become scattered in their definition.

Before I edited my artist statement for this year, it used to read “I’m in the business of communicating ideas. I solve problems. I think abstractly. I make decisions.” So applying Chambliss’ concept to an artistic career, one must make the same assumption — that an artist must, every day, make critical decisions that all add up to success…

So fast forward to 2010, presently Nicole is an water polo playing hospitality expert and will be marrying a British soccer fanatic in 2011. Clearly she’s been making the right decisions…Her club team the Otters has even competed (and won) against some national teams from eastern Europe. Recently I was asked to design their “save the date” card. I really enjoy looking at the happy couple in their respective sporting outfits in a simple red and black composition.

Inspiration at Libre Graphics Meeting 2010, And What Led Me To Brussels



There are certain moments that drastically alter the trajectory of a life-path. Being open and aware to those instants is absolutely essential regardless of one’s career.

I returned from the Libre Graphics Meeting that was rife with inspiration. The event was hosted at the Pianofabriek in Brussels, Belgium May 27-30. Now that I’ve had some time to reflect on the experience, here’s what I learned:

Generosity is contagious
I had ordered a computer as soon as I found out that my talk The New Folk Tradition: Aesthetic and Community Resonance between Open Source Graphics and Fiber Arts was accepted at the beginning of May. It was to be my first new computer since 2004, and boy was I due! Unfortunately the delivery from Lenovo did not arrive by the 24th when I left. So in a bind I decided to stop by Fry’s on the way to LAX and pick up a little Acer Aspire One netbook.

I arrived in London, downloaded Jolicloud which is based on Ubuntu and started to play around on the train to Brussels. The issue was that I’d not used Unix/Linux since I worked in Motorola in 1999…my how things have changed, so easy to use (yes I like GUI)! So I thought that I was going to give my presentation using Open Office, well when I saw How to Run an Art School on Free and Open Source Software by Florian Cramer, Aymeric Mansoux, Michael Murtaugh I was blown out of the water by their image-centric presentation. I got to chat with them after the talk, and they told me about the FOSS program Impress!ve.

At this point, Christopher Adams showed me how to use a shortcut (alt + F2) to access the repository by calling on gksu synaptic.

So at that moment I scrapped my plans of the standard Power Point-esq (gasp) presentation. After just a few hours at the LGM I already knew how to utilize new tools, and put down some roots with other artist do-ers with similar interests. Rad.

After a vegan lunch we relaxed in the courtyard drinking Belgian beer (thank goodness for the Westmalle tripel) and getting to know our peers.
Libre Graphics Meeting, 2010
Another important aspect for me was the instant application of what I learned. WiFi was free and available all over the complex, so while you were watching a talk you could download and try out the software to apply the concepts that were being explained. In addition, birds of a feather (BOF) meetings were scheduled so that people with similar interests could gather to speak about a topic. In my case I was inspired by Susan Spencer’s talk and her project relating to OPEN FASHION. You can learn more at Sew Brilliant. In the BOF meeting, she pulled out one of the most amazing contraptions I’ve ever seen, it was a brass pattern adjuster, that would change scale by rotating a series of screws in a certain order. She even had the manual that dated from 1888.
Libre Graphics Meeting, 2010
Basically it was a slide rule for tailors and seamstresses. Susan’s and her partner Steve Conklin (who is a developer for Ubuntu) have a vision where a designer can upload a pattern, another person (who may not be the same size) can adjust it to fit using the program which is based on scalable vector graphics, print and tape up the pattern and sew the custom garment. What an excellent idea, so naturally I included it into my talk. Now check out the video of Pete Ippel relating Asian stitching, 80’s sweaters,Tron, quilts, and weaving to open source graphics.

Get Adobe Flash player


Great planning matters
Each day of the conference the organizers kept the program on schedule, and the diversity of the talks really demonstrated an expanded view of Libre Graphics. Thanks to River Valley TV for archiving all the LGM 2010 talks.
Libre Graphics Meeting, 2010
In addition to software development, there were presentations about metaphor, Tight Pants, Community, publishing, font design,multimedia sound performance, and some miraculous demos. I was particularly impressed with Laid Out and the new brushes for Krita.

Confused? Ask for help
It is incredible how generous people were at the conference, as a n00b it was invaluable to be able to ask a question and get a straight answer, and if the person asking didn’t know, they would refer you to someone who did…The organizers wore aprons and buttons and were always available for help.

Reclaim your tools
I began to understand this overarching theme after a few days into the conference. Formerly I’d been envisioning code as magic. After seeing the Nodebox 2 demo, I downloaded the beta and was able to modify an image or a line of code to make changes to an output. That was a huge breakthrough for me I saw directly that through transparency comes understanding. That’s what F/LOSS gives when code is viewable and modifiable the developer and user are on an even plane, and both can create new tools to suit their needs. There exists a sense of community that is absolutely impossible with closed code.

Work together
I’ve been licensing my art under Creative Commons for a few years, and I am confident that as the young people who have “grown up digital” and the first generations of free culture pioneers continue to push for more openness and transparency on many facets of life from government to software, clipart to color we are in for a very exciting ride.

Please visit the review page for other articles, photos, and a video archive of all the Libre Graphics Events.

If you find yourself in Brussels, use the map below to visit the Pianofabriek. It’s an amazing arts / culture venue with a lovely courtyard, gallery space and cafe.


View Libre Graphics Meeting, 2010 in a larger map

Resources for downloads mentioned in this post
Desktop publishing Scribus
Vector graphic editing Inkscape
Bitmap editing Gimp
Bitmap editing and painting (check out the new brushes) Krita
3d modeling and animation Blender
A new software application for creating generative art using procedural graphics and a new way to approach graphic design Nodebox 2
Ditch hierarchy Peer-To-Peer Design Strategies

How I got involved in Free Culture / F/LOSS / Creative Commons
Often growth is sparked by a change in community…prompted by a different geographic location.

In October 2002, I had just moved to San Francisco and was looking for community. Leaving the comfort of my undergraduate institution and support network in New York, I was seeking attachment to my new home.

I initiated a project called “Free Memory” where the intent was to give away an anonymous gift that brought attention to technology and our relationship with memory both on a disk and in our mind. Looking back at the task I stated that free meant free from price, obligation, need to pay, and also free content.

I desired to connect with the folks on the street, and get out from behind the computer screen…to enrich online life with offline life and vice-versa. Looking back, mobile computing was not an option for me, I had a desktop computer. That project grew and spread so that I even got a video response from across the country:

The Free Memory Project from Thorsten Claus on Vimeo.

Alan Toffler states in his book Future Shock from 1970, “…that enormous changes ahead…overthrow our values with respect to money and success.”

After creating the project OBAY.INFO I was contacted by council for Ebay.com and subsequently looked to Lessig’s Group at Stanford (which lead me to Creative Commons), was fingered in a Canadian Ad Campaign, and was invited to the To Share Festival in Turin Italy. Read all the posts about Obay.

Following Obay project I took a job working as a mentor for pre-professional dancers at the San Francisco Ballet. Over the six years I was there, I learned that a robust community was built with freedom. What I found was that kids would act more like adults when they were given the opportunity to do so. The same was true when I coached high school basketball for 4 years.

I left the Ballet at the end of 2009, and when I moved from San Francisco to Ventura, California, I began an intense production phase to kick-start my full-time art career. By comparing pixels to patchwork, vectors to stitches, bitmaps to patterns, and layers to quilts, I started to discover the aesthetic and community relationships between open source graphics and the fiber arts.

So why does all this happen? Enjoy the following video to gain some insight on the cognitive reasoning:

Thank you to Jon Phillips, Barry Threw, Christopher Adams, Femke Snelting and everyone else at LGM 2010 for helping me feel so welcome in this amazing community.

Introducing 11 Different, Unique, Original, Hypermodern Artists



Introducing 11 Different, Unique, Original, Hypermodern Artists: Pete Ippel

Introducing 11 Different, Unique, Original, Hypermodern Artists: Pete Ippel

Thank you to Stew Birbrower for creating the concept for this poster. Thank you to the GIMP for being rad and open source.

Check it out, I’m having an open house during Ventura Art Walk Saturday April 17th 1:00-9:00pm Sunday April 18th noon-5:00pm. Also I will be open for First Fridays Ventura, and for more info on where I live, Working Artists Ventura, check out the overview on WAV

This is a big weekend for me, and my MOM Diane Ippel is featured in the special dedication event for WAV.

The last time so many artists lived and worked in the same building was 100 years ago in Paris. That building was called La Rouche. This building is called WAV, Working Artists Ventura. Pete Ippel is one of 77 emerging artists from 21 countries with radically different styles. So the next time you want art, come to our house.

Contact Pete Ippel

175 S. Ventura Ave
Studio 213 North Building
Ventura, CA 93001

Dial 1 (234) Pete-Art to order your free educational report: 7 THINGS YOU MUST KNOW BEFORE BUYING CONTEMPORARY ART.