I sure enjoy sights like this on an evening walk.
What I’d really like more than anything for my birthday is help getting to Chicago to see my Father’s final performance at Momenta Dance Company on the 15th before he retires after 41 years of modern dancing. Any little bit is much appreciated my Paypal is email@example.com If you’d like to buy some art, I’m open to custom orders large and small! All supporters will get a 4″ x 6″ original drawing sent to you as a thank you.
A linear narrative through time propelled by the vision of other cinematographers captured moment by moment, conceived and edited by Italian artist Stefania Rota.
With a simple and elegant gesture Rota’s Cinezoïque presents humans, regardless of age, gender, or context, moving forward.
She is also on Facebook.
I was finishing up my thesis at Cornell University and taking double loads of classes in art and cognitive psychology in addition to Spanish. Note the lightsaber, Motorola v200 (Awesome for texting, but the speaker broke 3 times and I swapped out for Nokia 3660 the first camera phone in the US) and various cords and a gigantor thermal wax printer (which I still own).
Enjoy the ten-year Wayback Machine, with a surprise popup of Pete Ippel 2002…and yes all the images were shot with a Sony Mavica 640×480 px and written to a 3.5″ floppy disk.
So this is where the magic happened…lots of Mt. Dew Code Red, sleeping under my desk with a blanket and the computer fan blowing hot air on me to stay warm…then waking up to go to drawing class at 9am, grabbing a strawberry Pop-Tart on the way…
Thank you goes to all my friends and collaborators who provided wonderful support and helped me finish my Thesis “Priorities” on time.
Those that support conceptual art (performance art, video art, social sculpture, happenings etc.) art are mocked by those that do not understand it…and the myth of disbelief, shock, and awe is perpetuated by popular media.
Mimicry is common BECAUSE there is a long history of conceptual art, even when it’s lost.
Even the name Praxis is a lifted reference.
The history of conceptual art that James Franco tries to explain (the fellow on the Jimmy Kimmel Show) has strong roots in the Bay Area, as does video art. That’s why I chose to study for my MFA in New Genres at the San Francisco Art Institute. The Bay Area boasts artists: Tony Labat, Linda Montano, Doug Hall (AntFarm), Sharon Grace, Paul Kos, David Ireland, Karen Finley, and many, many more.
The Museum of Conceptual Art was created by one of my mentors, Tom Marioni. Tom is a big fan of Marcel Duchamp and the Readymade. Hypermodern.net represents 12 years of conceptual art education and I’m constantly asked, what for?
Simply, as Cathy Malchiodi writes, the massively important restoring power of imagination.
The phrases “art heals” and “art saves” have become ubiquitous and will continue to circulate; like many catch-phrases, they are just too cool to go away. Like any popular slogans, they blur real meaning; in this case the actual purpose of art is often forgotten.
Cathy summarizes further synthesizes and interprets Ellen Dissanayake’s book What is Art For?
1) Makes life special.
2) Engages the senses.
3) Involves rituals.
4) Enhances community.
When was the last time you went to an art show and got an experience, a prize, a few bucks, and a great story and thought differently about the present moment you just experienced. Free Memory. Free Money. Free Ideas…and a 2 minute smile free from economic stress. Or was it referencing the financial collapse, throwing money in a hole, and making peons work for it doing crazy tasks that don’t mean anything by diverting their own lust for financial gain? Why did they follow the rules of the over arching system? The title of the piece of mine is “Free Money, Sticky Fingers” made at SomArts. Check out their open call for more art in the hole.
Sound like art?
Sound like MTV’s Jackass?
Sound like conceptual art?
Is everything art?
Is everyone an artist?
Thank you R. Mutt
When critiquing or defending artwork remember three core concepts: intent (what did the artist want to express), context (where, when, and who are they showing it to), and liability (will it put the artist or anyone else in danger, will it cost money from the artist or public, does it exclude anyone, does the artist take responsibility for the piece).
Brian Wilson gets it.
“You can’t be a pro unless you dive in,” Wilson said. “You can’t just put one foot in and say, ‘Oh, well let’s just test this out.’ You’ve got to dive in and you’ve got to swim around in your dreams. You have to go for it.”
“If you can’t fly then run, if you can’t run then walk, if you can’t walk then crawl, but whatever you do you have to keep moving forward.”
— Martin Luther King Jr.