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Jordan and Nicole vector drawing by Pete Ippel

Jordan and Nicole vector drawing by Pete Ippel

When I was in Europe in May I flew through London and got to visit with a very close friend of mine. Nicole and I met at Cornell, and we really hit it off athlete to athlete. She was studying in the hotel school and I was studying fine art. The ways in which we spent our time were very different besides our academic pursuits. She was in the pool practicing her water polo shots and defense while I was doing everything to run faster and jump higher at the track. Despite our disparate likes, both of us shared a love of sport.

While I was at school, she gave me “The Little Book of Olympic Inspiration”, what a thoughtful present it was. So many of the pages are dog-eared and offer up pearls of wisdom. A personal favorite is from Bobby Joe Borrow, a runner who struck gold in the 1956 Melbourne Games, “Whatever success I have had is due to being so perfectly relaxed that I can feel my jaw muscles wiggle.”

This resonated very much with me before I approached the bar to leap 2.15m in 2001…absolute calm and clarity led to a successful jump. This clarity wasn’t an instant type of thing that you can turn on and off. It is learned, practiced, and developed over long periods of time.

I’ve talked in the past about decision making and when to nuke ideas, I want to share a small excerpt from Daniel F. Chambliss, who is a sociology expert and also a coach.

Great accomplishments, we often assume, require heroic motivation: an intense desire to be the best, an inner strength beyond all measure, some special love of school, of family, of country. Some one of these, must, we think, drive the superlative athlete…In fact, world-class athletes get to the top level by making a thousand little decisions every morning and night.

If you make the right choice on each of these — decide to get up and go to practice, decide to work hard today, decide to volunteer to do an extra event to help your team — then others will save you ‘have’ dedication. But it is only the doing of those little things, all taken together, that makes that dedication. Great [athletes] aren’t made in the long run; they are made every day.

Jumping back to the summer of 2002, I can remember the best answer I ever heard to the question “What is an artist?” was from a 20 year old art student I was dating named Katie.

She simply replied, “Artists make decisions.”

That graceful answer has been with me for 8 years, I’ve never heard a better one…I’ve listened to many other people try to explain what an artist is, but it gets too complex and grandiose. Frequently people, including other artists, will lose their train of thought and become scattered in their definition.

Before I edited my artist statement for this year, it used to read “I’m in the business of communicating ideas. I solve problems. I think abstractly. I make decisions.” So applying Chambliss’ concept to an artistic career, one must make the same assumption — that an artist must, every day, make critical decisions that all add up to success…

So fast forward to 2010, presently Nicole is an water polo playing hospitality expert and will be marrying a British soccer fanatic in 2011. Clearly she’s been making the right decisions…Her club team the Otters has even competed (and won) against some national teams from eastern Europe. Recently I was asked to design their “save the date” card. I really enjoy looking at the happy couple in their respective sporting outfits in a simple red and black composition.

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The international social fraternity, Phi Delta Theta recently interviewed Artist/Athlete Pete Ippel in regards to his unique philanthropic gift. Feel free to download and read the Living Bond Society Newsletter – Fall Winter 2009.

Pete’s gift to the Fraternity is quite unique. In addition to naming Phi Delta Theta as a beneficiary of an IRA, he plans on providing Phi Delta Theta with artwork. After reminiscing about the Fraternity house at Cornell—the plaques on each of the doors with names of past tenants, the knight statue, and so on—Brother Ippel decided to donate his artwork as a nest egg to pass forward.

“I may not have huge stacks of cash to donate but I do have huge confidence in my art…,” he says.

“It’s like buying stock in [myself]. I’m a talented artist—here’s the artwork I made at a particular time in my life and it’s a gift.” With his apparent zest and love of life, Pete Ippel has proudly joined the Living Bond Society.

“Phi Delta Theta has been such a great experience for me,” he says, “that I want to support it and keep it going for those that come after me.”

During his tenure at Cornell University, Pete’s efforts with the social advocacy group Renaissance and the New York Alpha Chapter of Phi Delta Theta resulted in many positive changes on campus including development of the CU Tonight Commission, creation of concerts and a greater variety of activities (Slope Fest) during the Slope Day celebration, and establishment of the first alcohol-free fraternity housing on Cornell University’s campus.

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It was a big change for me from living in Oak Park (IL) and going to Cornell (University) but if you live in SoCal, it’s just five miles.


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Memory Sift Installation View by Pete Ippel

The intent of this project is to explore the fragility of memories and how they relate to the natural world inasmuch as they can be collected and treasured. Because of childhood experiences of taking “nature hikes” with my mother and father , I was encouraged to pick up anything I found interesting to take it home and explore it further. Feather and leaves are fragile in that they fall off of the living objects, i.e. a tree or bird, and are pieces of that individual animal or plant that each have an individual beauty.

Similarly the images I have created of Hannah and my Father have been collected, my Dad’s images from the attic, and Hannah’s were more of an active collecting and recording of a moment / event with my eye through a camera. Now printed on fragile canary paper, and brown paper they mimic the color and fragility of fallen leaves but same the same preciousness…arranged in stacks on a small card table, lit with an electric lamp given to me from my father that mimicked the old kerosene one we used to take camping.

November 2000

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Pete_Ipp.jpeg, originally uploaded by hypermodern.

Hello from Libe Slope – Ithaca, New York.

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FOR IMMEDIATE RELEASE

“The Fantastic Solution to Global Warming and Other Conundrums” An art show by Pete Ippel
May 16-31, 2008
Opening Reception: Friday, May 16, 6-9 p.m. with DJ music and indoor-jumping photo souvenirs for guests. EDITORS: You, your reporters and photographers are welcome to cover the event.

Icthus Gallery
1769 15th Street (between Valencia and Guerrero), San Francisco, CA
Gallery hours, weekdays, 10 a.m. – 5 p.m.; weekends, by appointment
Admission, Free


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For more information, contact, Pete Ippel, artist
Phone, (415) 425-8863
E-mail, pete at hypermodern.net
Web site, http://www.hypermodern.net/archives/fsgw/
The Fantastic Solution to Global Warming
“The Fantastic Solution to Global Warming”, 40 x 60 inches (101 x 152 cm), gouache, ink, pencil, and watercolor on paper

SAN FRANCISCO, Monday, April 28, 2008 – The Fantastic Solution to Global Warming and other Conundrums is an exhibition of new artwork by San Francisco based artist and athlete Pete Ippel. In this collection of drawings, photographic prints, and videos he explores themes ranging from nuclear waste processing to the pairing of art and sport.

In Ippel’s brightly rendered, fantastical 2-D world, a box of lightning, some incandescent light bulbs, and a gigantic, biological-organic turbine are coupled with wind, tide, hydroelectric, nuclear, volcanic, solar, and geothermal power sources to sequester carbon dioxide. Under intense heat and pressure, in a star-powered fusion-cooker, diamonds are produced, thus solving the dilemmas of green house gases, vacant mines, and human rights issues associated with diamond mining.

The exhibition also highlights artifacts, photographic prints, and video informed by Ippel’s work as an athlete and a coach. After completing a successful collegiate track and field career as a high jumper in New York, Ippel made the move to San Francisco to pursue a Masters of Fine Art in the New Genres Department of the San Francisco Art institute.

It was here in the Bay Area, inspired by local artists Tony Labat and Tom Marioni, where Ippel began to craft projects that married his passion for jumping to his artistic practice.

“When I saw that Tony had devoted a year of his life to boxing, and Tom was drinking beer with friends in the name of art while making movement based drawing and prints I felt empowered,” said Ippel. “And I’ve been fortunate to spend time with both of them here in San Francisco. I really respect their work,” Ippel added.

“The Jump Series” grows out of the tradition of New Genres where actions are performed for the camera. The body of work is based on the premise that to push of one’s self off any surface and into the air by using the muscles in one’s legs and feet is a glorious and enjoyable act; essentially human flight. The modes of lift-off on display include skateboarding, high jumping, jumping off of architecture, leaping into panoramic scenes, jumping over objects, and choreographed jumps with other individuals. Ippel utilizes a tripod and a remote control or the camera’s self-timer to execute this body of performative photographs.

TSP Athletics, also on display, is a competitive vertical jumps team, social club, and acts as a collaborative vehicle to generate images of athletes in flight. It blurs boundaries between art and sport while acting as a vehicle to temper the shock of moving away from traditional competitive athletics.

“When you have something obscure like the high jump that has been your top priority for so many years, it’s foreign when it’s gone,” says Ippel. “Because I went directly to SFAI from Cornell, it was quite a challenge to no longer have the support of my team, nor be able to celebrate my athletic gifts in competition. I went through a real period of grief.” Ippel satiated his needs by creating a one-person team and traveling alone to meets a few times a year. “I made a uniform, started a website, and I kept in touch with my jumping peers. When I was at the meets after being away for so long, I started to see the beauty of the action and the camaraderie and wanted to capture it, and still keep it active in my life.”

The project has developed as an answer to what collegiate athletes do upon graduation to keep in touch, keep jumping, and make art.

Since its inception in 2004, TSP Athletics has grown to include former NCAA qualifiers and university record holders. Ippel’s plan is to produce limited-edition prints with participation by distinguished jumpers who are invited to be athletes-in-residence for TSP. In the frame of social sculpture these artists/athletes will each, contribute to the TSP Archive to add to its expanding collection of images and memorabilia.

ARTIST BIOGRAPHY
Pete Ippel was born in Oak Park, Illinois, USA and has been surrounded by the arts since birth. He moved to Morris, Illinois in 1989 and started to participate in athletics rather than dance. After high school, Pete attended Cornell University where he earned a BA in psychology and a BFA in photo / digital art making. He continued to follow his sporting dreams in the high jump, which culminated in a school record leap of 7 feet 1/2 inch in 2001. In May 2004 he attained an MFA degree in the New Genres department of the San Francisco Art Institute. Presently Pete is a practicing artist whose work is in numerous private collections. He’s also the residence manager for the San Francisco Ballet, a fitness professional, coaches basketball and track at University High School, and still high jumps from time to time.

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Cornell Entrepreneur Network of Northern California in partnership Cornell Silicon Valley and The Cornell Law School presents: “Climate Change and Global Warming: The Evolving Legal Framework” featuring Kevin Haroff ‘77, MBA ‘81, JD ‘81, Partner, Sonnenschein Nath & Rosenthal LLP.

Climate change is now an acknowledged scientific fact, caused primarily by greenhouse gas (GHG) emissions associated with human activity over time. California is playing a lead role in attacking the problem with its Global Warming Solutions Act of 2006 (Assembly Bill 32) – the first legislation in the country to set a cap on GHG emissions statewide. The Attorney General’s office also has filed several lawsuits raising climate change issues in both federal and state courts, most recently joining a multi-state effort to force regulation of GHG emissions from cars and trucks under the federal Clean Air Act.

Tuesday April 29th, 2008
6:00 PM Reception
7:00 PM Presentation
Cost: $20 per person (includes Hors d’oeuvre Reception). This event is expected to sell-out and requires pre-registration.
Location:Townsend and Townsend and Crew LLP, 390 Lytton Ave, Palo Alto.

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