Maya And The Golden Hind Of Artemis

Near the region Udine lived a beautiful deer, sacred to Artemis…

Cerva di Cerinea by Maya Rota Klein

Cerva di Cerinea by Maya Rota Klein

Maya’s hair was red, horns were wooden with gold, and her hoofs of bronze (or silver, according to others). She fled, traveling the world without stopping, delighting those who pursued her. Pete considered dragging her into the beaches and mountains of California, from which She would never return.

Yellow flowers looking off into Carpenteria mountains

Yellow flowers looking off into Carpenteria mountains

Pete could not possibly hurt Maya the deer because she is sacred, the hero is merely chasing The Hind of Artemis. The frantic race lasted over a year, and Pete was defeated in every attempt to reach Maya. The only choice was slightly stun the nimble deer with a dart, and carry her on his shoulders to bring her home…

Maya And The Golden Hind Of Artemis I

Maya And The Golden Hind Of Artemis I by Pete Ippel

He shot for the sky…

Pete Ippel Studio Thank You

This thank you goes out to everyone who sent me a message, gave me a thumbs up, shared their energy, drove me to the hospital, smiled, laughed, held me when I cried, cut my skull open, taught my class, wiped my ass, showered me, fed me, stuck needles in me, listened to my story attentively, put screws in my head, broke my nose, sucked out snot and puss with a vacuum, scraped infected bone out of my sinus, put cream on my bed sores, stacked pillows under my back, rubbed my feet, cleaned up my puke, gave me motor tests, PT, OT, Cog T, Psy T,and dealt with me freaking out in the MRI…I love you all, and I’m going to keep surprising everyone…even myself.

Pete Ippel Studio Thank You from Hypermodern – Pete Ippel on Vimeo.

And here’s the text from the video

I have a big enough studio to walk around like this.

I have a big enough studio to jump like this.

I have a crazy enough hairdo to make my sideburns laugh.

I have enough room to SPIN!

I have enough room to walk and talk and think and be PETE again.

There’s nothing that’s going to stop me from succeeding.

I’m going to be fluent and I’m going to be beautiful and I’m going to be successful.

…and be an an artist, and be an athlete, and be a lover, and a dad, and a friend…everything I ever wanted.

And I’m going to do it because of people like you.

So thank you for your help. I really appreciate it.

I love you.

ALL RISK.

“If you can’t fly then run, if you can’t run then walk, if you can’t walk then crawl, but whatever you do you have to keep moving forward.”
-Martin Luther King

Free And Open Culture Mind Map

My passion: to empower some free-culture advocating, network-neutrality loving, FLOSS using, empathy having, critical thinking art students. Today we did a bit of brainstorming about what influences/passions can guide us as a group toward a collaborative project.

Keeping in mind the concepts of free and open culture, between now and the next session each individual will be color coding inter-student connections, rather than focusing internally.

Keep an eye on the Mindmeister mind map below to watch our project develop. You’ll probably have the best user experience if you click on the little box at the bottom of the interface controls to open the mind map in a new window.

Dia de los Muertos T-shirts Designed by Pete Ippel Are Available At The Museum Of Ventura County

The new shirt is available now at the Museum of Ventura County, there are only 75 in the first printing, so be quick!

Artist Pete Ippel modeling the shirt he designed for the Dia de los Muertos event at the Museum of Ventura County

Artist Pete Ippel modeling the shirt he designed for the Dia de los Muertos event at the Museum of Ventura County - Photo by Diane Ippel

With this wearable art, I have taken the traditional imagery of the calaca (Mexican skeleton) and given it a contemporary flavor. The interactive garment allows the wearer to take their celebration of El Dia De Los Muertos in a new direction. Once the shirt has served its purpose as clothing, the wearer is encouraged to cut out the printed image and create a decoration for their own altar by simply attaching the arms and legs to the torso.

Cut t-shirt Calacas designed by Pete Ippel for the Dia de los Muertos event at the Museum of Ventura County

Cut t-shirt Calacas designed by Pete Ippel for the Dia de los Muertos event at the Museum of Ventura County

My design is intentionally open so that the new collaborator can add their own decorations, flowers, or write directly on the printed cloth. By working together, we both realize our creative vision, celebrating the spirit of our ancestors and loved ones. Truly a move toward Open Fashion.

Special shout out to the Free Libre Open Source Software community for the awesome vector editing tool Inkscape. Couldn’t have done it without you.

I will also be installing a large altar made of sewn and reused plastic. The show opens on October 26th, for more information, please visit The Museum of Ventura County Day of the Dead info page.

Consciousness Altering Sunset

Many of us are familiar with the double rainbow video and some find it humorous that someone is so moved by nature that they are driven to laughter, hooting, and eventually to tears of joy. I empathize.

Regarding the sunset last night, it reminded me to take life as it comes and to be open to the beauty and coincidence of nature. Being at the right place at the right time matters, and even though it can be a tough lesson to learn, no matter how hard one WANTS a perfect sunset every night with its romance and beauty, you may just have to wait: appreciating the fleeting moments when they arrive and depart…

To be free from expectation of an identical performance, leaves one open to the joy of surprise.

Making History: Free And Open Culture

Basic black & white cartoon computer. Image contains computer monitor and base/case.

You can create art and beauty on a computer.

FREE AND OPEN CULTURE

Making and Meaning – Making History Project
San Francisco Art Institute, Fall, 2010
Workshop Leader: Pete Ippel

Summary: Free and Open Culture refers to a wide variety of advocates who value free access, open information, and the sharing of knowledge. As a rapidly developing movement, Free and Open Culture has its roots in computer programming and hacker ethic from the 1950s-1960s.

Illustrates the path of software creation from source code to machine code.

Illustrates the path of software creation from source code to machine code.


Developments include Creative Commons licensing, FLOSS (Free/Libre Open Source Software), Network Neutrality, Open Government, and Copyleft.

Free Culture proponents are marked by acceptance of some general principles: (http://en.wikipedia.org/wiki/Hacker_ethic#The_hacker_ethics)

  • Sharing
  • Openness
  • Decentralization
  • Free access to computers
  • World Improvement

Cultural Figures: Linus Torvalds (programmer, Linux), Richard Stallman (programmer, GNU), Lawrence Lessig (academic, Creative Commons), Jon Phillips (developer, Sharism, Fabricatorz), Femke Snelting (artist/designer, LGM), Simona Lodi (arts administrator, To Share Festival), Nina Paley (animator, Sita Sings The Blues), Negativeland (music), Ant Farm (art), Adbusters (magazine), The Yes Men (art)

Project:  Students will spend the first sessions studying the history and techniques of the Free and Open Culture advocates and artists. There will be tutorials on a variety of software, as well as an off campus outing to practice employing the Hands-On Imperative.

“…essential lessons can be learned about the systems—about the world—from taking things apart, seeing how they work, and using this knowledge to create new and more interesting things.”
– Steven Levy

Students will pursue the following questions:

In the remaining sessions, students will be challenged to create with only the materials they have on hand – please bring an open mind and your own PORTABLE creation tools of choice to each session (mobile phone, laptop, sketchbook, notebook, watercolor, pencils, video camera, still camera, etc.).

We will be developing a collaborative community-centric studio (less) art practice out in the environment. The group will create their own art pieces in any media with strong consideration of Free and Open Culture. The end result will be an on-line repository (Mediawiki) documenting the projects. It is expected that the participants in this class will license their work under Creative Commons, and investigate the following issues:

  • I create everywhere because I have the network in my pocket.
  • If it’s not on the Internet, it doesn’t exist.
  • Objects are not important, information is.
  • I don’t need to know it if I know how to find it.
  • Online, nothing disappears, and everything is gone.
  • I feed the network, it feeds me.

The Grit and The Grind: Exploring The Artistic Hustle, Commonalities, and Myth

This workshop will explore commonalities among The Bay Area’s innovative, musicians, poets, entrepreneurs, artists, and politicians. Starting with hip-hop as a visible, accessible entry point to the grand metaphor of a creative career path we will canvass our community for inspirational stories, myths, fictions, half-truths, lies, facts, and constructions.

Recycled Aluminum Foil Grill by Pete Ippel

Pete Ippel is Green and Hyphy


After discussion and research the workshop will focus on answering the following questions by creating projects based on:

  • What is my personal creation story?
  • What makes me better/different than the next artist? 
  • What challenges have I overcome to follow my dream?
  • How does my lifestyle affect my art, or are they unified? 
  • How do I get more attention to my art?

By creating persona and personal legends on-line and in the street, we will be exploring how social media (blogs, facebook, twitter, foursquare) can both become a distraction from your art and an attraction to your art. We will even approach social media AS your art.

Please bring an open mind and your own PORTABLE creation tools of choice to each session (mobile phone, laptop, sketchbook, notebook, watercolor, pencils, video camera, still camera, etc.). The take away is learning how you can use the power of presentation to influence viewers, community, and media outlets.