Hans Hofmann on Subject Matter

Each artist has a way of working…here’s Hans Hofmann’s

Every subject matter depends on how to use meaning. You can use it in a lyrical or dramatic manner. It depends on the personality of the artist. Everyone is clear about himself, as to where he belongs, and in which way he can give aesthetic enjoyment. Painting is aesthetic enjoyment. I want to be a “poet”. As an artist I must conform to my nature. My nature has a lyrical as well as a dramatic disposition. Not one day is the same. One day I feel wonderful to work and I feel an expression which shows in the work. Only with a very clear mind and on a clear day I can paint without interruptions and without food because my disposition is like that. My work should reflect my moods and the great enjoyment which I had when I did the work.

From a Xerox copy I found in my notes from Contemporary Art p. 567

Jasper Johns and Studio Practice

Inspiration from old Xerox copies I’ve been sorting through…Here’s a bit from Jasper Johns’ sketchbook from 1965.

One thing working one way
Another thing working another way.
One thing working different ways
at different times.

Take and object.
Do something to it.
Do something else to it.
” ” ” ” ”

Take a canvas.
Pt a mark on it.
Put another mark on it.
” ” ” ” ”

Make something.
Find a use for it.
AND OR
Invent a function.
Find an object.

From “Material Culture and Everyday Life” Theories and Documents of Contemporary Art : A Sourcebook of Artists’ Writings
by Kristine Stiles; Peter Howard Selz