The “Office” Side of Art

Here are some lecture notes from “All You Wanted to Know About Art” Summer 2003.

  • Keep regular business hours.
  • Size counts.
  • Make mailing list to send stuff to galleries.
  • Create a history of applications.
  • Write thank you notes.
  • Stay in touch with folks who know your work.
  • Layer idea of community and patronage. It’s bigger than just a purchase.
  • Encourage a personal relationship with the artist.
  • Take the lead.
  • Make slides and color printouts of your work to send in to galleries.
  • Send the best slides, rather than the best work, and send prints also.
  • Send in accompanying list with with a paragraph about each slide, still, or video.
  • Make sure your “First name, Last name” Internet search is good.
  • If not, clean it up and if no hits, sign up for sites or make your own.
  • Increase name hits, your name is very valuable.
  • Art in America annual guide shows places to sell art.
  • SFMOMA has groups exhibition spaces.
  • Work first on the long list of CV.
  • Don’t be “over exposed”.
  • Don’t give different prices, have consistency.
  • Think about supply and demand, career level.
  • Size is the only objective pricing strategy, bigger is more.
  • Visit galleries to do research on art pricing in your community.
  • Art commissions: consultants charge 25%, galleries 50%, non-profits 10%.

Commercial Tools, Artistic Ideals

Assignment notes (from Marcia Lyons) 1999

Using Flash (4!) as your tool create an abstract experience in black and white that includes the 4 visual cues / navigationally in 4th dimension (feedback).

CUES

  1. Scale: proportion
  2. Negative / Positive space
  3. Movement / Direction
  4. Hierarchy –> Focus

[kml_flashembed publishmethod=”static” fversion=”8.0.0″ movie=”../flash/cycle.swf” width=”400″ height=”300″ targetclass=”flashmovie”]

Get Adobe Flash player

[/kml_flashembed]

Who is Robert Smithson

Here are some notes from my first digital art class back in 1999. It’s interesting to see how this influenced my thinking about free content, where art exists, and what temporal adjustments do to art.


Site vs. Non-site? Anecdotes
Define Structure
Program
Context | What is HTML?
Content | What is the Internet?

Does definition change?
Time
Place | Server (does it exist if no one sees it?)


Smithson (1938-1973)
“Earthwork Artist of the 1960’s”
Tools: Dump trucks & Bulldozers
Photographed himself in slide form.


Gertrude Stein influenced Smithson
Duchamp
Robert Ryman in terms of white
Barbara Kruger

What is viewpoint?
(at this point I have two URLs that sadly no longer work from wired.com and zkm.de )

Record of Smithson disappear
15 frames/second

Site/Non-site
Image/Mirror
Does it last, does it exist?