Mary Douglas book —> Dirt
*It’s all about the venue/gallery/rave/etc. if you’re comfortable.
Chris Watson—->Caberet Voltaire from the 70’s
Touch label
Protools, cubase *logic* Max
(chaotic chemistry)
Pierre Henry “death”
1963 Variations for a door and a sign
Music Concrete
Music out of Anerexia 1 or 2 sources
“We liked raves before they became full of suburban drug addicts”
Francisco Lopez – blindfolded audience
Limitations of technology make things seem like a better idea.
cut/pitch shift
Backwards/forwards
It’s about source
Clip, glitch
peak
Look to get out of rhythm more
Dada smitrerland teens
Next synths
Roland sampler
Toured with Bjork
Make one song out of an object (Neil Diamond, not a musician, an entertainer)
Copyright law —> no such words as “new”
Be inspiring and make free things
Negative land —> Folk music of now. Music is far more efficient the new “word of mouth”
It’s not about the world it’s about me. Future physical in London
Published by Pete Ippel
Pete Ippel, the son of a dancer and a musician, was born in Oak Park, Illinois and has been surrounded by the arts since birth. He moved to Morris, Illinois in 1989 and started to participate in athletics rather than dance. After high school, Pete attended Cornell University where he received a BA in psychology and a BFA in photo / digital art making. He continued to follow his sporting dreams in the high jump, which culminated in a school record leap of 7 feet 1/2 inch in 2001.
In May 2004 he attained an MFA degree in the New Genres department of the San Francisco Art Institute. Presently Pete is a practicing artist whose work is in numerous private collections and has been exhibited in New York, California, and internationally.
Mr. Ippel resides in Working Artists Ventura, a sustainable artist community in southern California. In addition, he teaches art, is a web developer, an active blogger, and still high jumps from time to time.
As a passionate problem solver and a pragmatic optimist, Pete’s art and his life are full of exciting challenges.
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