Americans for the Arts Action Fund is pleased to present you with its just released summary of the Arts Positions of the 2008 Presidential Candidates. (Also see side-by-side comparison table below.)

As you may know, Americans for the Arts Action Fund launched its ArtsVote2008 initiative in May 2007 in order to educate presidential candidates on issues impacting the
arts and arts education with the goal of securing—for the first time ever—formal position statements from the top candidates.

To date, we have shared with you Senator
Barack Obama’s comprehensive arts policy proposal that he began issuing in February 2008. Unfortunately, the McCain campaign has not been as forthcoming, despite numerous formal requests from the Arts Action Fund and Senator McCain’s own supporters over the last year. However, we are pleased to report that Senator McCain has now issued a short statement that he released in an article for today’s Salt Lake City Tribune.

With this information in hand, we ask you—the arts advocate—to take action by doing the following things:

1. Share this side-by-side comparison of the presidential candidates with your friends, family, and colleagues.
2. Blog about this issue on any sites that you are affiliated with.
3. Post the comparison chart on your social network sites, such as Facebook, MySpace, and others.
4. Send a Letter to the Editor of your local newspapers and journals. We’ve made it easy for you by drafting a customizable letter at our E-Advocacy Center that you can personalize. You will then automatically be given the choice to e-mail your letter to all the key media outlets in your area based on your zip code.
5. Ask questions about policies on the arts and arts education to both your Congressional and presidential candidates in any kind of town hall forums, online chats, or any other
   public forums.
6. Vote for the candidates that you feel will best advance the arts and arts education in America.

With only a few days left to Election Day, now is the time to act and show your support for the arts!

Arts Positions of the 2008 Presidential Candidates

	Sen. Barack Obama Democratic Nominee	Sen. John McCain Republican Nominee
Campaign has met with Americans for the Arts Action Fund to discuss policy issues.	Yes Meeting held 4/1/08	Yes Meeting held 4/1/08
Campaign has published policy proposals on the arts and/or arts education.	Yes Read policy proposal 2/28/08	No
Candidate has made statement on federal support of the arts.	>Yes View Pennsylvania speech on 4/2/08	No
Candidate has made statement on federal support of arts education.	Yes View Texas speech on 2/28/08	Yes Read Statement 10/03/08
National party platform includes statement on the arts and/or arts education.	Yes Read platform statement on page 49	No
Candidate has pro-arts Congressional record.	Yes Co-sponsored S. 548, Artist-Museum Partnership Act, 2/25/08	No Voted to cut funding or terminate the National Endowment for the Arts (see listing of votes*)

*Roll call votes on 7/12/00, 8/5/99, 9/15/98, 9/18/97, 9/17/97, 7/25/94, 9/15/93, 9/15/93, and 9/14/93.
Source:  Americans for the Arts Action Fund, as of 10/03/08

Americans for the Arts Action Fund is the bipartisan advocacy arm of Americans for the Arts, engaging citizens in ensuring that all Americans have the opportunity to appreciate, value, and participate in the arts. Arts Action Fund members are citizen activists who are committed to helping make certain that arts-friendly public policies are adopted at every level of government and in the private sector. ArtsVote2008, a program of the Arts Action Fund, was created to secure bold, new policy proposals in support of the arts and arts education in America from candidates in the 2008 presidential campaign.

For more info visit www.artsvote.org, or call 202-371-2830

Pete_Ipp.jpg, originally uploaded by hypermodern.

Here is one side of the heart design for the city contest. For more information check out the San Francisco General Hospital Hearts site

*update*
I received the “Unfortunately your design was not selected for this round of hearts” letter last week.

I’ll be trying again next time!

For three weeks in July, I spent my Wednesdays taking BART over to UC Berkeley to teach in the secondary division of Academic Talent Development Program. I’m very happy with the final projects, please take a look at the completed ATDP page on hypermodern.net where I outline my course (complete with downloadable syllabi), and display student animations ranging from the hand-drawn to claymation. Also there is a photo album for the digital photography class.

Hand Drawn by Sophia Balkoski

Hirst hopes to revolutionise art market with ‘Golden Calf’ - News, Art & Architecture - The Independent

a collection of previously unseen work by Damien Hirst that will be auctioned off this summer in a move that could revolutionise the sale of contemporary art.

A living artist has never before put a collection of brand new work straight on to the open market. Such pieces are usually sold through galleries and art dealers, usually to buyers who are known to them.

This method gives more control to the artist and opens up the sale to a much wider group of prospective buyers. Yesterday, art experts were predicting that the auction – the highlight of which is the gold calf, Hirst’s largest ever formaldehyde work – could mark a turning point in the way artists sell their work. Indeed, Hirst himself hinted that “the world’s changing – ultimately I need to see where this road leads”, adding that such an auction “[felt] like a natural evolution for contemporary art”.

GAAA! 12 million pounds to a single artist…how does Hirst get that market up so high? A true artrockstar, oh how I want to play these games…How about the goal of making the worlds most expensive piece of art…100 million dollars for the platinum skull covered in diamonds? Is it the fact that it’s produced by Hirst, the fact that it’s got material (diamonds and platinum) worth, or branding and marketing, a status symbol to own the most expensive and luxurious object…or is it as Tom Marioni has defined the artist as an individual “getting away with something”?

This is a quick once-around of “The Fantastic Solution to Global Warming and Other Conundrums” at Icthus Gallery in San Francisco. Thanks to Mark for the video.
The Fantastic Solution to Global Warming and Other Conundrums - Pete Ippel from Hypermodern - Pete Ippel on Vimeo.

The show is open until May 31st, 2008 so if you’re in the city, come by between 10am and 5pm weekdays. Or you can email me at pete @ hypermodern.net and schedule a special showing

I have been moving forward with my show installation bit by bit, and have been working on being diligent with my time while still having time to decompress and relax. Thank you for respecting my need to focus on myself a bit during this potentially stressful period.

I have keeping an old Chinese saying in mind, as excerpted from the Gold Mountain Monastery newsletter based here in San Francisco.

“I make my own destiny and seek my own fortune; fortune and misfortune are not predetermined but acquired by my own actions.”

The newsletter continues…

If we want to stop being muddled and attain understanding, we must first do our best to get rid of our bad habits and faults, for only then can our wisdom shine forth…

This day is already done,
And our lives are that much less.
We’re like a fish in an ever-shrinking pond.
What joy is there in this?
Great assembly!
We should be diligent and vigorous,
As if our own lives were at stake.
Only be mindful of impermanence,
And be careful not to be lax.

Moving forward, I do feel as though my artistic life is at stake at the moment, and I’m investing all my resources to make sure when the opening comes, I’m ready. Procrastination is a fault that I’m growing out of as I have more experience.

I’ve been handing out cards, getting photos ready, and making plans. I also just got a fortune cookie: “You believe in the goodness of mankind”. I do, and I’m excited to share in the joy more each day.

FOR IMMEDIATE RELEASE

“The Fantastic Solution to Global Warming and Other Conundrums” An art show by Pete Ippel
May 16-31, 2008
Opening Reception: Friday, May 16, 6-9 p.m. with DJ music and indoor-jumping photo souvenirs for guests. EDITORS: You, your reporters and photographers are welcome to cover the event.

Icthus Gallery
1769 15th Street (between Valencia and Guerrero), San Francisco, CA
Gallery hours, weekdays, 10 a.m. - 5 p.m.; weekends, by appointment
Admission, Free

View Larger Map

For more information, contact, Pete Ippel, artist
Phone, (415) 425-8863
E-mail, pete at hypermodern.net
Web site, http://www.hypermodern.net/archives/fsgw/

“The Fantastic Solution to Global Warming”, 40 x 60 inches (101 x 152 cm), gouache, ink, pencil, and watercolor on paper

SAN FRANCISCO, Monday, April 28, 2008 - The Fantastic Solution to Global Warming and other Conundrums is an exhibition of new artwork by San Francisco based artist and athlete Pete Ippel. In this collection of drawings, photographic prints, and videos he explores themes ranging from nuclear waste processing to the pairing of art and sport.

In Ippel’s brightly rendered, fantastical 2-D world, a box of lightning, some incandescent light bulbs, and a gigantic, biological-organic turbine are coupled with wind, tide, hydroelectric, nuclear, volcanic, solar, and geothermal power sources to sequester carbon dioxide. Under intense heat and pressure, in a star-powered fusion-cooker, diamonds are produced, thus solving the dilemmas of green house gases, vacant mines, and human rights issues associated with diamond mining.

The exhibition also highlights artifacts, photographic prints, and video informed by Ippel’s work as an athlete and a coach. After completing a successful collegiate track and field career as a high jumper in New York, Ippel made the move to San Francisco to pursue a Masters of Fine Art in the New Genres Department of the San Francisco Art institute.

It was here in the Bay Area, inspired by local artists Tony Labat and Tom Marioni, where Ippel began to craft projects that married his passion for jumping to his artistic practice.

“When I saw that Tony had devoted a year of his life to boxing, and Tom was drinking beer with friends in the name of art while making movement based drawing and prints I felt empowered,” said Ippel. “And I’ve been fortunate to spend time with both of them here in San Francisco. I really respect their work,” Ippel added.

“The Jump Series” grows out of the tradition of New Genres where actions are performed for the camera. The body of work is based on the premise that to push of one’s self off any surface and into the air by using the muscles in one’s legs and feet is a glorious and enjoyable act; essentially human flight. The modes of lift-off on display include skateboarding, high jumping, jumping off of architecture, leaping into panoramic scenes, jumping over objects, and choreographed jumps with other individuals. Ippel utilizes a tripod and a remote control or the camera’s self-timer to execute this body of performative photographs.

TSP Athletics, also on display, is a competitive vertical jumps team, social club, and acts as a collaborative vehicle to generate images of athletes in flight. It blurs boundaries between art and sport while acting as a vehicle to temper the shock of moving away from traditional competitive athletics.

“When you have something obscure like the high jump that has been your top priority for so many years, it’s foreign when it’s gone,” says Ippel. “Because I went directly to SFAI from Cornell, it was quite a challenge to no longer have the support of my team, nor be able to celebrate my athletic gifts in competition. I went through a real period of grief.” Ippel satiated his needs by creating a one-person team and traveling alone to meets a few times a year. “I made a uniform, started a website, and I kept in touch with my jumping peers. When I was at the meets after being away for so long, I started to see the beauty of the action and the camaraderie and wanted to capture it, and still keep it active in my life.”

The project has developed as an answer to what collegiate athletes do upon graduation to keep in touch, keep jumping, and make art.

Since its inception in 2004, TSP Athletics has grown to include former NCAA qualifiers and university record holders. Ippel’s plan is to produce limited-edition prints with participation by distinguished jumpers who are invited to be athletes-in-residence for TSP. In the frame of social sculpture these artists/athletes will each, contribute to the TSP Archive to add to its expanding collection of images and memorabilia.

ARTIST BIOGRAPHY
Pete Ippel was born in Oak Park, Illinois, USA and has been surrounded by the arts since birth. He moved to Morris, Illinois in 1989 and started to participate in athletics rather than dance. After high school, Pete attended Cornell University where he earned a BA in psychology and a BFA in photo / digital art making. He continued to follow his sporting dreams in the high jump, which culminated in a school record leap of 7 feet 1/2 inch in 2001. In May 2004 he attained an MFA degree in the New Genres department of the San Francisco Art Institute. Presently Pete is a practicing artist whose work is in numerous private collections. He’s also the residence manager for the San Francisco Ballet, a fitness professional, coaches basketball and track at University High School, and still high jumps from time to time.

Technorati Tags: art, artist, athlete, california, carbon dioxide, contemporary, Cornell University, diamonds, exhibition, fantastic, global warming, green house gas, high jump, hypermodern, Icthus Gallery, Ippel, jump, Mission, New Genres, Pete Ippel, photo, photography, San Francisco, San Francisco Art Institute, SFAI, solutions, sustainablility, Tom Marioni, Tony Labat, TSP Athletics, Video

There is so much potential in the Casio Exilim EX-F1 for those interest in capturing athletic events, nature, and performance. Indeed it is a revolutionary camera, in that it doesn’t tout it’s mega-pixels but is a paradigm shift in camera features with a blazing frame rate.

A Camera for the Shot You Missed - New York Times

Pete Ippel utilizes a box of lightening, a gigantic biological-organic turbine, wind, tide, hydroelectric, nuclear, volcanic, solar, and geothermic power to sequester carbon dioxide and produce diamonds, thus solving the dilemma with the green house gas, carbon dioxide, vacant coal mines, and the problems with blood diamonds in Africa.

Materials: gouache, ink, pencil, watercolor
Dimensions: 40 x 60 inches (101 x 152 cm)